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SUMMARY:ZAKLJUÄŒNI VIKEND | Arhivske veriÅ¾ne reakcije / FINISSAGE WEEKEN
 D | Archival Chain Reactions
DESCRIPTION:ð™ð€ðŠð‹ð‰ð”ð‚ÌŒððˆ ð•ðˆðŠð„ðð
 ƒ | ð‘¨ð’“ð’‰ð’Šð’—ð’”ð’Œð’† ð’—ð’†ð’“ð’Šð’›ÌŒð’ð’† ð’“
 ð’†ð’‚ð’Œð’„ð’Šð’‹ð’†: ð’—ð’“ð’›ð’†ð’ð’Š ð’— ð’‚ð’“ð’‰ð
 ’Šð’—ð’– ð’Šð’ ð’‘ð’ð’›ð’‚ð’ƒð’ð’‹ð’†ð’ð’† ð’‘ð’ð’
 —ð’†ð’›ð’‚ð’—ð’†\\nðŸ“† ðŸðŸ.â€“ðŸðŸ‘. ð¬ðžð©ð­ðžð
 ¦ð›ðžð« ðŸðŸŽðŸðŸ”\\nðŸ“ ðŒð®ð³ðžð£ ð¬ð¨ðð
 ¨ð›ð§ðž ð®ð¦ðžð­ð§ð¨ð¬ð­ð¢ ðŒðžð­ðžð¥
 ð¤ð¨ð¯ðš (+ðŒð’ð”ðŒ)\\nðŸŸ¢ Toplo vas vabimo na dogodke o
 b zakljuÄku razstave ð´ð‘Ÿâ„Žð‘–ð‘£ð‘ ð‘˜ð‘’ ð‘£ð‘’ð‘Ÿð‘–ð‘
 §ÌŒð‘›ð‘’ ð‘Ÿð‘’ð‘Žð‘˜ð‘ð‘–ð‘—ð‘’: ð‘šð‘’ð‘‘ ð‘–ð‘› ð‘œð
 ‘›ð‘˜ð‘Ÿð‘Žð‘— ð´ð‘Ÿð‘â„Žð‘–ð‘£ð‘œ ð‘ƒð‘–ð‘›ð‘¡ð‘œ ð‘š
 ð‘– ð‘…ð‘Žð‘¦ð‘Ž\\, ð‘Ÿð‘’.ð‘Žð‘ð‘¡.ð‘“ð‘’ð‘šð‘–ð‘›ð‘–ð
 ‘ ð‘š\\, ð‘€ð‘’ð‘ ð‘¡ð‘œ ð‘§ÌŒð‘’ð‘›ð‘ ð‘˜.\\nPoleg sokustosin
 j ðˆð¯ðž ðŠð¨ð¯ðšðœÌŒ in ððžð­ð­ð¢ð§ðž ð
 Šð§ðšð®ð© bodo z nami Å¡e umetnice_ in piske_ ð¬ðžð¥ð¦ð
 š ð›ðšð§ð¢ðœð¡ in ð¤ð¨ð¥ðžð¤ð­ð¢ð¯ ðð¨ð
 ¥ð¢ð­ð¢ð¤ðž ðð¨ð­ð¢ð¤ðš\\, ð‰ð®ð¥ðž ð…ð
 ¥ð¢ðžð«ð¥\\, ð€ð ðšð­ðš ð‰ðšð¤ð®ð›ð¨ð°ð
 ¬ð¤ðš\\, ðŒð¨Ìð§ð¢ðœðš ðŒðšð²ðžð«\\, ð„ð
 ¥ð¯ðš ððžð§ð¢ðœð¡ðž ðŒð¨ð§ð­ðŸð¨ð«ð­ i
 n ð•ðžð¬ð§ðš ð•ð®ð¤ð¨ð¯ð¢ðœÌ\\, ki se v svojih p
 raksah na raznolike naÄine ukvarjajo z vrzelmi v arhivih ter pozabljenim
 i umetniÅ¡kimi ali institucionalnimi povezavami â€“ z dejanji dajanja gla
 su\\, presnavljanja\\, sledenja ali obdarovanja.\\nðŸŸ¢ Koreografinja ð
 ‰ð®ð¥ðž ð…ð¥ð¢ðžð«ð¥ se v svoji medgeneracijski izvedbi
  naslanja na dela performativnih umetnic in kolektivov iz NemÅ¡ke demokra
 tiÄne republike (NDR)\\, ki so bila uvrÅ¡Äena na razstavo v poskusu\\, 
 da bi znova usmerila pogled v razmerju do zamegljene zgodovine disidentsk
 e umetnosti v NDR.\\nðŸŸ¢ Eden od eksponatov\\, predstavljenih na razstav
 i\\, je katalog razstave iz leta 1982 v Sarajevu\\, ki priÄa o zgodnejÅ¡
 i povezavi med razliÄnimi geopolitiÄnimi konteksti: v zgodnjih 80. leti
 h prejÅ¡njega stoletja so Mehika\\, Zahodna NemÄija\\, nekdanja Jugoslav
 ija in druge (vzhodno)evropske drÅ¾ave gostile potujoÄo razstavo z deli 
 veÄ generacij mehiÅ¡kih umetnic\\, med katerimi je izstopala ðŒð¨Ìð
 §ð¢ðœðš ðŒðšð²ðžð«. Poskusi\\, da bi izsledili vpliv om
 enjene razstave na lokalne feministiÄne (umetniÅ¡ke) scene v nekdanji Ju
 goslaviji\\, niso obrodili prav veliko sadov\\, sta pa ob tem kustosinji 
 naleteli na aktualne raziskave\\, ki osvetljujejo trenutke neposrednega v
 pliva razstave. Gre za umetnostnozgodovinske raziskave ð€ð ðšð­ð
 ž ð‰ðšð¤ð®ð›ð¨ð°ð¬ð¤ðž\\, ð„ð¥ð¯ðž ððžð
 §ð¢ðœð¡ðž ðŒð¨ð§ð­ðŸð¨ð«ð­ in ð•ðžð¬ð§ð
 ž ð•ð®ð¤ð¨ð¯ð¢ðœÌ\\, ki jih predstavljamo ob zakljuÄku 
 razstave ter tako krepimo povezave med razliÄnimi kraji in Äasi organiz
 iranja feministiÄne umetnosti s posebnim poudarkom na medgeneracijskem d
 ialogu.\\nðŸŸ¢ Razstavni projekt ð‘¨ð’“ð’‰ð’Šð’—ð’”ð’Œð’† ð’—ð’
 †ð’“ð’Šð’›ÌŒð’ð’† ð’“ð’†ð’‚ð’Œð’„ð’Šð’‹ð’† bodo sodelujoÄe
  sklenile v duhu njegovega naslova â€“ z obrednima dariloma\\, ki sta ju 
 izdelali ðŒð¨Ìð§ð¢ðœðš ðŒðšð²ðžð« in ð¬ðžð¥ð
 ¦ðš ð›ðšð§ð¢ðœð¡ v sodelovanju s ð¤ð¨ð¥ðžð¤ð­
 ð¢ð¯ð¨ð¦ ðð¨ð¥ð¢ð­ð¢ð¤ðž ðð¨ð­ð¢ð¤ð
 š. Obe darili sta odprto reciproÄni v svoji nameri\\, da izpostavita zgo
 dbe in ljudi\\, ki so sicer manj vidni v drÅ¾avnih ustanovah.\\nâ€Ž\\nðŸŸ
 ¢ðŸŸ¢ ðð«ð¨ð ð«ðšð¦ ðŸŸ¢ðŸŸ¢\\nâ€Ž\\nððžð­ðžð¤\
 \, ðŸðŸ. ð¬ðžð©ð­ðžð¦ð›ðžð«\\nâž¡ï¸ ðŸðŸ—.ðŸŽð
 ŸŽ | ð‰ð®ð¥ðž ð…ð¥ð¢ðžð«ð¥: ð·ð‘Ÿð‘§ÌŒð‘Žð‘£ð
 ‘Ž ð‘£ ð‘¡ð‘£ð‘œð‘—ð‘–â„Ž ð‘¢ð‘ ð‘¡ð‘–â„Ž â€“ ð‘“ð‘Ÿð‘Žð‘”ð
 ‘šð‘’ð‘›ð‘¡ð‘– ð‘ð‘œð‘‘ð‘§ð‘’ð‘šð‘™ð‘—ð‘Ž ð‘ð·ð‘… ð‘
 £ ð‘¢ð‘šð‘’ð‘¡ð‘›ð‘œð‘ ð‘¡ð‘– ð‘–ð‘› ð‘ð‘’ð‘Ÿð‘“ð‘œð‘Ÿð
 ‘šð‘Žð‘›ð‘ ð‘¢ | performativno predavanje\\, nato pogovor\\nâ€Ž\\nð
 ’ð¨ð›ð¨ð­ðš\\, ðŸðŸ. ð¬ðžð©ð­ðžð¦ð›ðžð«\
 \nâž¡ï¸ ðŸðŸ‘.ðŸŽðŸŽâ€“ðŸðŸ•.ðŸŽðŸŽ | ð¬ðžð¥ð¦ðš ð
 ›ðšð§ð¢ðœð¡ ð¢ð§ ð¤ð¨ð¥ðžð¤ð­ð¢ð¯ ðð¨ð
 ¥ð¢ð­ð¢ð¤ðž ðð¨ð­ð¢ð¤ðš: ð¾ð‘œð‘šð‘’ð‘šð‘
 œð‘Ÿð‘Žð‘ð‘–ð‘—ð‘Ž ð‘§ð‘Ž ð‘–ð‘§ð‘ð‘Ÿð‘–ð‘ ð‘Žð‘›ð‘’ |
  delavnica\\nð‘½ð’“ð’›ð’†ð’ð’Š ð’— ð’‚ð’“ð’‰ð’Šð’—ð’– ð’Šð
 ’ ð’‘ð’ð’›ð’‚ð’ƒð’ð’‹ð’†ð’ð’† ð’‘ð’ð’—ð’†ð’›ð’‚ð’—
 ð’†: ð’”ð’ð’†ð’…ð’†ð’ð’‹ð’†\\, ð’Œð’“ð’ð’›ÌŒð’†ð’ð’‹ð
 ’†\\, ð’ð’ƒð’…ð’‚ð’“ð’ð’—ð’‚ð’ð’‹ð’†\\nâž¡ï¸ ðŸðŸ“.ðŸ
 ŽðŸŽ | Pozdrav in uvod \\nâž¡ï¸ ðŸðŸ“.ðŸðŸ“ | ð•ðžð¬ð§ð
 š ð•ð®ð¤ð¨ð¯ð¢ðœÌ: ð‘ˆð‘šð‘’ð‘¡ð‘›ð‘œð‘ ð‘¡ ð‘–ð
 ‘› ð‘‘ð‘’ð‘™ð‘œ: ð‘¢ð‘šð‘’ð‘¡ð‘›ð‘–ð‘ ÌŒð‘˜ð‘Ž ð‘ð‘Ÿð‘œð
 ‘‘ð‘¢ð‘˜ð‘ð‘–ð‘—ð‘Ž ð‘§ÌŒð‘’ð‘›ð‘ ð‘˜ ð‘£ ð‘ ð‘Žð‘šð‘œð
 ‘¢ð‘ð‘Ÿð‘Žð‘£ð‘›ð‘– ð‘˜ð‘¢ð‘™ð‘¡ð‘¢ð‘Ÿð‘– | predavanje\\nR
 azprava\\nâž¡ï¸ ðŸðŸ”.ðŸŽðŸŽ | ð„ð¥ð¯ðš ððžð§ð¢ð
 œð¡ðž ðŒð¨ð§ð­ðŸð¨ð«ð­: ð‘‚ð‘Ÿð‘”ð‘Žð‘›ð‘–ð‘§ð
 ‘Žð‘ð‘–ð‘—ð‘Ž ð‘–ð‘› ð‘–ð‘§ð‘šð‘’ð‘›ð‘—ð‘Žð‘£ð‘Ž ð‘šð‘
 ’ð‘‘ ð‘¢ð‘šð‘’ð‘¡ð‘›ð‘–ð‘ð‘Žð‘šð‘– ð‘–ð‘§ ð‘€ð‘’â„Žð‘–ð
 ‘˜ð‘’ ð‘–ð‘› ðµð‘’ð‘Ÿð‘™ð‘–ð‘›ð‘Ž. ð·ð‘£ð‘œð‘›ð‘Žð‘ð‘
 –ð‘œð‘›ð‘Žð‘™ð‘›ð‘Ž ð‘Ÿð‘Žð‘§ð‘ ð‘¡ð‘Žð‘£ð‘Ž Â»ð¿ð‘Ž ð‘
 ð‘Ÿð‘’ð‘Žð‘ð‘–ð‘œÌð‘› ð‘“ð‘’ð‘šð‘’ð‘›ð‘–ð‘›ð‘ŽÂ«\\, 198
 0 | predavanje\\nâž¡ï¸ ðŸðŸ”.ðŸ‘ðŸŽ | ð€ð ðšð­ðš ð‰ðš
 ð¤ð®ð›ð¨ð°ð¬ð¤ðš: ð‘…ð‘Žð‘§ð‘ ð‘¡ð‘Žð‘£ð‘’ ð‘šð
 ‘’â„Žð‘–ð‘ ÌŒð‘˜ð‘–â„Ž ð‘¢ð‘šð‘’ð‘¡ð‘›ð‘–ð‘ ð‘£ ð¸ð‘£ð‘Ÿ
 ð‘œð‘ð‘–. ð¹ð‘’ð‘šð‘–ð‘›ð‘–ð‘§ð‘’ð‘š ð‘–ð‘› ð‘˜ð‘¢ð‘™ð
 ‘¡ð‘¢ð‘Ÿð‘›ð‘Ž ð‘‘ð‘–ð‘ð‘™ð‘œð‘šð‘Žð‘ð‘–ð‘—ð‘Ž | predav
 anje\\nRazprava\\nâž¡ï¸ ðŸðŸ•.ðŸ‘ðŸŽ Odmor s pijaÄo in prigrizki \
 \nâž¡ï¸ ðŸðŸ–.ðŸŽðŸŽ | ðŒð¨Ìð§ð¢ðœðš ðŒðšð²ðžð
 «: ð´ð‘˜ð‘¡ð‘–ð‘£ð‘–ð‘Ÿð‘Žð‘›ð‘—ð‘’ ð‘–ð‘› ð‘‘ð‘œð‘›ð
 ‘Žð‘ð‘–ð‘—ð‘Ž Â»ð´ð‘Ÿð‘â„Žð‘–ð‘£ð‘Ž &#8211\\; ð‘œð‘ð‘Ÿð
 ‘Žð‘  ð‘‘ð‘’ð‘™ ð‘Žð‘Ÿð‘¡ð‘’ ð‘“ð‘’ð‘šð‘–ð‘›ð‘–ð‘ ð‘¡ð‘Ž
  ð‘’ð‘› ð‘€ð‘’Ìð‘¥ð‘–ð‘ð‘œÂ« | performativno predavanje (po spl
 etu)\\nâž¡ï¸ ðŸðŸ–.ðŸ’ðŸ“ | ð¬ðžð¥ð¦ðš ð›ðšð§ð¢ð
 œð¡ ð¢ð§ ð¤ð¨ð¥ðžð¤ð­ð¢ð¯ ðð¨ð¥ð¢ð­ð¢
 ð¤ðž ðð¨ð­ð¢ð¤ðš: ð¼ð‘§ð‘ð‘Ÿð‘–ð‘ ð‘Žð‘›ð‘– ð
 ‘ð‘œð‘”ð‘™ð‘’ð‘‘ð‘–: ð‘‘ð‘œð‘›ð‘Žð‘ð‘–ð‘—ð‘Ž +ð‘€ð‘†ð
 ‘ˆð‘€\\nâ€Ž\\nððžððžð¥ð£ðš\\, ðŸðŸ‘. ð¬ðžð©ð­
 ðžð¦ð›ðžð«\\nâž¡ï¸ ðŸðŸ•.ðŸŽðŸŽâ€“ðŸðŸ–.ðŸŽðŸŽ | Vod
 eni ogled razstave s sokustosinjama (ðŸ”— https://www.facebook.com/events
 /2162517911339962)\\nâ€Ž\\nðð«ð¨ðð®ð¤ðœð¢ð£ðš:\\nDr
 uÅ¡tvo Mesto Å¾ensk in cross links e.V. Berlin\\nFinancirano iz Sklada za
  projekte vizualne umetnosti Goethe-Instituta\\; Mesto Å¾ensk (Mestna obÄ
 ina Ljubljana\\, Ministrstvo za kulturo Republike Slovenije).\\nNastalo 
 v sodelovanju z Moderno galerijo in Goethe-Institutom Ljubljana.\\nâ€Ž\\n
 ðŸ‘‰ VeÄ o razstavi: https://www.mg-lj.si/si/razstave/4353/razstava-arhi
 vske-verizne-reakcije\\n***\\nð…ðˆððˆð’ð’ð€ð†ð„ ð–ð
 „ð„ðŠð„ððƒ | ð‘¨ð’“ð’„ð’‰ð’Šð’—ð’‚ð’ ð‘ªð’‰ð’‚ð’
 Šð’ ð‘¹ð’†ð’‚ð’„ð’•ð’Šð’ð’ð’”: ð‘¨ð’“ð’„ð’‰ð’Šð’—ð’‚ð
 ’ ð‘®ð’‚ð’‘ð’” ð’‚ð’ð’… ð‘­ð’ð’“ð’ˆð’ð’•ð’•ð’†ð’ ð
 ‘ªð’ð’ð’ð’†ð’„ð’•ð’Šð’ð’ð’”  \\nðŸ“† ðŸðŸâ€“ðŸðŸ‘ ð
 ’ðžð©ð­ðžð¦ð›ðžð« ðŸðŸŽðŸðŸ”\\nðŸ“ ðŒð®ð¬ð
 žð®ð¦ ð¨ðŸ ð‚ð¨ð§ð­ðžð¦ð©ð¨ð«ðšð«ð² ð
 €ð«ð­ ðŒðžð­ðžð¥ð¤ð¨ð¯ðš (+ðŒð’ð”ðŒ)\\nðŸŸ¢
  You are kindly invited to the finissage weekend of the exhibition ð´ð
 ‘Ÿð‘â„Žð‘–ð‘£ð‘Žð‘™ ð¶â„Žð‘Žð‘–ð‘› ð‘…ð‘’ð‘Žð‘ð‘¡ð‘–ð‘
 œð‘›ð‘ : ðµð‘’ð‘¡ð‘¤ð‘’ð‘’ð‘› ð‘Žð‘›ð‘‘ ðµð‘’ð‘¦ð‘œð‘›
 ð‘‘ ð´ð‘Ÿð‘â„Žð‘–ð‘£ð‘œ ð‘ƒð‘–ð‘›ð‘¡ð‘œ ð‘šð‘– ð‘…ð‘Žð
 ‘¦ð‘Ž\\, ð‘Ÿð‘’.ð‘Žð‘ð‘¡.ð‘“ð‘’ð‘šð‘–ð‘›ð‘–ð‘ ð‘š\\, ð¶ð
 ‘–ð‘¡ð‘¦ ð‘œð‘“ ð‘Šð‘œð‘šð‘’ð‘›.\\nThe co-curators ðˆð¯ðš
  ðŠð¨ð¯ðšðœÌŒ in ððžð­ð­ð¢ð§ðš ðŠð§ðšð®ð
 © will be joined by artists and writers ð¬ðžð¥ð¦ðš ð›ðšð
 §ð¢ðœð¡ ðšð§ð ð­ð¡ðž ðð¨ð¥ð¢ð­ð¢ðœð¬
  ð¨ðŸ ð“ð¨ð®ðœð¡ ðœð¨ð¥ð¥ðžðœð­ð¢ð¯ðž\\
 , ð‰ð®ð¥ðž ð…ð¥ð¢ðžð«ð¥\\, ð€ð ðšð­ðš ð‰ð
 šð¤ð®ð›ð¨ð°ð¬ð¤ðš\\, ðŒð¨Ìð§ð¢ðœðš ðŒð
 šð²ðžð«\\, ð„ð¥ð¯ðš ððžð§ð¢ðœð¡ðž ðŒð¨ð
 §ð­ðŸð¨ð«ð­ and ð•ðžð¬ð§ðš ð•ð®ð¤ð¨ð¯ð¢ð
 œÌ\\, whose diverse practices engage with archival gaps and forgotten 
 artistic or institutional connections through the acts of voicing\\, meta
 bolising\\, tracing and gifting.\\nðŸŸ¢ Referencing some of the works by 
 GDRâ€™s performance artists and collectives featured in the exhibition\\,
  the choreographer ð‰ð®ð¥ðž ð…ð¥ð¢ðžð«ð¥ will perform
  an intergenerational attempt to recalibrate the gaze in relation to the 
 opaque history of GDRâ€™s dissident art.\\nðŸŸ¢ Another exhibit featured 
 in the exhibition is a catalogue for a 1982 exhibition in Sarajevo\\, whi
 ch testifies to an earlier connection across different geopolitical conte
 xts. In the early 1980s\\, Mexico\\, West Germany\\, former Yugoslavia an
 d other (Eastern) European countries all hosted a traveling exhibition fe
 aturing works by several generations of Mexican women artists\\, ðŒð¨
 Ìð§ð¢ðœðš ðŒðšð²ðžð« prominently among them. Attempts 
 to trace the exhibitionâ€™s impact on the local feminist (art) scenes yie
 lded little on the former Yugoslav showings. However\\, along the way\\, 
 the curators encountered current research that sheds light on the moments
  of its direct impact. By introducing the art historical research of ð€
 ð ðšð­ðš ð‰ðšð¤ð®ð›ð¨ð°ð¬ð¤ðš\\, ð„ð¥ð¯
 ðš ððžð§ð¢ðœð¡ðž ðŒð¨ð§ð­ðŸð¨ð«ð­ and ð
 •ðžð¬ð§ðš ð•ð®ð¤ð¨ð¯ð¢ðœÌ\\, the finissage weeken
 d brings this knowledge closer\\, strengthening connections between diffe
 rent sites and temporalities of feminist art organizing\\, with a particu
 lar focus on the intergenerational dialogue.\\nðŸŸ¢ In the spirit of its 
 title\\, the exhibition project will be concluded with ceremonial gifts m
 ade by ðŒð¨Ìð§ð¢ðœðš ðŒðšð²ðžð« and ð¬ðžð¥ð
 ¦ðš ð›ðšð§ð¢ðœð¡ together with the ðð¨ð¥ð¢ð­ð
 ¢ðœð¬ ð¨ðŸ ð“ð¨ð®ðœð¡ ðœð¨ð¥ð¥ðžðœð­ð¢ð
 ¯ðž. Openly reciprocal\\, both gifts seek to bring people and stories
  less visible within national institutions to the forefront.\\nâ€Ž\\nðŸŸ¢
 ðŸŸ¢ ðð«ð¨ð ð«ðšð¦ð¦ðž ðŸŸ¢ðŸŸ¢\\nâ€Ž\\nð…ð«ð¢ð
 ðšð²\\, ðŸðŸ ð’ðžð©ð­ðžð¦ð›ðžð«\\nâž¡ï¸ ðŸ•
  ð©ð¦ | ð‰ð®ð¥ðž ð…ð¥ð¢ðžð«ð¥: ð‘‡â„Žð‘’ ð‘ ð
 ‘¡ð‘Žð‘¡ð‘’ ð‘–ð‘› ð‘¦ð‘œð‘¢ð‘Ÿ ð‘šð‘œð‘¢ð‘¡â„Ž â€“ ð‘“ð‘Ÿ
 ð‘Žð‘”ð‘šð‘’ð‘›ð‘¡ð‘  ð‘œð‘› ð‘¡â„Žð‘’ ðºð·ð‘… ð‘¢ð‘›ð
 ‘‘ð‘’ð‘Ÿð‘”ð‘Ÿð‘œð‘¢ð‘›ð‘‘ ð‘–ð‘› ð‘Žð‘Ÿð‘¡ ð‘Žð‘›ð‘‘ ð‘
 ð‘’ð‘Ÿð‘“ð‘œð‘Ÿð‘šð‘Žð‘›ð‘ð‘’ | lecture performance\\, follow
 ed by a conversationâ€Ž\\nâ€Ž\\nð’ðšð­ð®ð«ððšð²\\, ðŸð
 Ÿ ð’ðžð©ð­ðžð¦ð›ðžð«\\nâž¡ï¸ ðŸ ð©ð¦ | ð¬ð
 žð¥ð¦ðš ð›ðšð§ð¢ðœð¡ ðšð§ð ð­ð¡ðž ðð¨
 ð¥ð¢ð­ð¢ðœð¬ ð¨ðŸ ð“ð¨ð®ðœð¡ ð‚ð¨ð¥ð¥ð
 žðœð­ð¢ð¯ðž: ð¶ð‘œð‘šð‘šð‘’ð‘šð‘œð‘Ÿð‘Žð‘¡ð‘–ð‘›ð
 ‘” ð¸ð‘Ÿð‘Žð‘ ð‘¢ð‘Ÿð‘’ ð‘Šð‘œð‘Ÿð‘˜ð‘ â„Žð‘œð‘\\nð€ð
 «ðœð¡ð¢ð¯ðšð¥ ð†ðšð©ð¬ ðšð§ð ð…ð¨ð«ð 
 ð¨ð­ð­ðžð§ ð‚ð¨ð§ð§ðžðœð­ð¢ð¨ð§ð¬: ð­ð
 «ðšðœð¢ð§ð \\, ðœð¢ð«ðœð®ð¥ðšð­ð¢ð§ð \\,
  ð ð¢ðŸð­ð¢ð§ð \\nâž¡ï¸ ðŸ‘ ð©ð¦ | Welcome and Introd
 uction\\nâž¡ï¸ ðŸ‘.ðŸðŸ“ ð©ð¦ | ð•ðžð¬ð§ðš ð•ð®ð
 ¤ð¨ð¯ð¢ðœÌ: ð´ð‘Ÿð‘¡ ð‘Žð‘›ð‘‘ ð¿ð‘Žð‘ð‘œð‘¢ð‘Ÿ: 
 ð‘Šð‘œð‘šð‘’ð‘›â€™ð‘  ð‘Žð‘Ÿð‘¡ ð‘ð‘Ÿð‘œð‘‘ð‘¢ð‘ð‘¡ð‘–
 ð‘œð‘› ð‘–ð‘› ð‘ ð‘’ð‘™ð‘“-ð‘šð‘Žð‘›ð‘Žð‘”ð‘’ð‘‘ ð‘ð‘¢ð
 ‘™ð‘¡ð‘¢ð‘Ÿð‘’ | lecture\\nDiscussion\\nâž¡ï¸ ðŸ’ ð©ð¦ | ð„ð
 ¥ð¯ðš ððžð§ð¢ðœð¡ðž ðŒð¨ð§ð­ðŸð¨ð«ð­
 : ð‘‚ð‘Ÿð‘”ð‘Žð‘›ð‘–ð‘ ð‘Žð‘¡ð‘–ð‘œð‘› ð‘Žð‘›ð‘‘ ð‘’ð‘¥ð
 ‘â„Žð‘Žð‘›ð‘”ð‘’ ð‘ð‘’ð‘¡ð‘¤ð‘’ð‘’ð‘› ð‘Žð‘Ÿð‘¡ð‘–ð‘ ð
 ‘¡ð‘  ð‘“ð‘Ÿð‘œð‘š ð‘€ð‘’ð‘¥ð‘–ð‘ð‘œ ð‘Žð‘›ð‘‘ ðµð‘’ð
 ‘Ÿð‘™ð‘–ð‘›. ð‘‡â„Žð‘’ ð‘ð‘–ð‘›ð‘Žð‘¡ð‘–ð‘œð‘›ð‘Žð‘™ ð‘’
 ð‘¥â„Žð‘–ð‘ð‘–ð‘¡ð‘–ð‘œð‘› &#8220\\;ð¿ð‘Ž ð‘ð‘Ÿð‘’ð‘Žð‘
 ð‘–ð‘œÌð‘› ð‘“ð‘’ð‘šð‘’ð‘›ð‘–ð‘›ð‘Ž&#8221\\;\\, 1980 | lectu
 re\\nâž¡ï¸ ðŸ’.ðŸ‘ðŸŽ ð©ð¦ | ð€ð ðšð­ðš ð‰ðšð¤ð
 ®ð›ð¨ð°ð¬ð¤ðš: ð¸ð‘¥â„Žð‘–ð‘ð‘–ð‘¡ð‘–ð‘œð‘›ð‘  ð
 ‘œð‘“ ð‘€ð‘’ð‘¥ð‘–ð‘ð‘Žð‘› ð‘Šð‘œð‘šð‘’ð‘› ð´ð‘Ÿð‘¡ð‘–
 ð‘ ð‘¡ð‘  ð‘–ð‘› ð¸ð‘¢ð‘Ÿð‘œð‘ð‘’: ð¹ð‘’ð‘šð‘–ð‘›ð‘–ð
 ‘ ð‘š ð‘Žð‘›ð‘‘ ð¶ð‘¢ð‘™ð‘¡ð‘¢ð‘Ÿð‘Žð‘™ ð·ð‘–ð‘ð‘™ð‘
 œð‘šð‘Žð‘ð‘¦ | lecture\\nDiscussion\\nâž¡ï¸ ðŸ“.ðŸ‘ðŸŽ ð©ð¦ 
 | Break with drinks and snacks\\nâž¡ï¸ ðŸ” ð©ð¦ | ðŒð¨ð§ð¢ð
 œðš ðŒðšð²ðžð«: ð´ð‘ð‘¡ð‘–ð‘£ð‘Žð‘¡ð‘–ð‘›ð‘” ð
 ‘Žð‘›ð‘‘ ð·ð‘œð‘›ð‘Žð‘¡ð‘–ð‘›ð‘” &#8216\\;ð´ð‘Ÿð‘â„Žð‘–ð
 ‘£ð‘Ž &#8211\\; ð‘œð‘ð‘Ÿð‘Žð‘  ð‘‘ð‘’ð‘™ ð‘Žð‘Ÿð‘¡ð‘’ ð‘“
 ð‘’ð‘šð‘–ð‘›ð‘–ð‘ ð‘¡ð‘Ž ð‘’ð‘› ð‘€ð‘’Ìð‘¥ð‘–ð‘ð‘œ&#821
 7\\; | lecture performance (online)\\nâž¡ï¸ ðŸ”.ðŸ’ðŸ“ ð©ð¦ | ð
 ¬ðžð¥ð¦ðš ð›ðšð§ð¢ðœð¡ ðšð§ð ð­ð¡ðž ð
 ð¨ð¥ð¢ð­ð¢ðœð¬ ð¨ðŸ ð“ð¨ð®ðœð¡ ð‚ð¨ð¥ð
 ¥ðžðœð­ð¢ð¯ðž: ð¸ð‘Ÿð‘Žð‘ ð‘’ð‘‘ ðºð‘Žð‘§ð‘’ð‘ 
 : ð´ ð‘‘ð‘œð‘›ð‘Žð‘¡ð‘–ð‘œð‘› ð‘¡ð‘œ +ð‘€ð‘†ð‘ˆð‘€\\nâ€Ž\
 \nð’ð®ð§ððšð²\\, ðŸðŸ‘ ð’ðžð©ð­ðžð¦ð›ðžð
 «\\nâž¡ï¸ ðŸ“â€“ðŸ” ð©ð¦ | Guided tour by the co-curators (ðŸ”— h
 ttps://www.facebook.com/events/2162517911339962)\\nâ€Ž\\nðð«ð¨ð
 ð®ðœðžð ð›ð² Association City of Women &amp\\; cross links e
 .V. Berlin\\nð…ð®ð§ððžð ð›ð² Visual Arts Project Fund o
 f the Goethe-Institut\\, City of Women (Municipality of Ljubljana\\, Mini
 stry of Culture of the Republic of Slovenia).\\nðŒðšððž ð¢ð§
  ðœð¨ð¥ð¥ðšð›ð¨ð«ðšð­ð¢ð¨ð§ with Moderna galeri
 ja and Goethe-Institut Ljubljana.\\nâ€Ž\\nðŸ‘‰ More about the exhibition:
  https://www.mg-lj.si/en/exhibitions/4353/exhibition-archival-chain-react
 ions/\\nhttps://www.gayout.com/europe/slovenia/ljubljana/events/zaklju-ni
 -vikend-arhivske-veri-ne-reakcije-finissage-weekend-archival-chain-reacti
 ons-2026-09-11
LOCATION:kultura.media.si
URL:https://www.gayout.com/europe/slovenia/ljubljana/events/zaklju-ni-vikend-arhivske-veri-ne-reakcije-finissage-weekend-archival-chain-reactions-2026-09-11
STATUS:CONFIRMED
END:VEVENT
END:VCALENDAR